艺术品展示 / 油画
《孟德尔·莱文·内森森的年长的女儿们,贝拉和汉娜》【Mendel Levin Nathanson's
Elder Daughters, Bella and Hanna】

名家名作

《孟德尔·莱文·内森森的年长的女儿们,贝拉和汉娜》
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画作名称:

Mendel Levin Nathanson's Elder Daughters, Bella and Hanna

中文名称:
孟德尔·莱文·内森森的年长的女儿们,贝拉和汉娜
画 家:
克里斯托弗·威廉·埃克斯伯格(Christoffer Wilhelm Eckersberg)
作品年份:
1820 年
原作材质:
布面油画
画作尺寸:
85.5 x 125 cm
馆藏链接:
丹麦国家美术馆(SMK - Statens Museum for Kunst)
备注信息:

       During the years around 1820, C.W. Eckersberg was busy painting portraits of the affluent citizens of Copenhagen. The artist’s greatest patron during his young years, the merchant Mendel Levin Nathanson, commissioned two large family portraits.

     

    The painting's two young girls

       In one of the two works he painted Nathanson’s two oldest daughters, Bella and Hanna, in a sparingly furnished drawing room with simple panelling and furniture, including a table bearing a parrot’s cage.

    The two girls are shown in uncompromising poses - one strictly frontal, the other strictly from the side – and as they look very much alike, it seems likely that the painter wished to create a variation on a theme; variations like those created by the famous Danish sculptor Bertel Thorvaldsen around the same time.

     

    Symbolic readings of the painting

       The parrot opens up the scene to symbolic readings. Due to their ability to imitate human voices parrots were often seen as symbols of good breeding, a suitable allusion for a picture of two young middle-class woman. At the same time, however, the caged bird can also be regarded as a metaphor for the two unmarried women’s sheltered situation while waiting - perhaps longing? - to move out into real life.


    百度翻译:http://fanyi.baidu.com

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